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This compilation features musicians from the region known as the Southern Appalachians. It includes musicians from deep in the mountains as well as from the foothills leading up to them. We have selected many of the recordings from the collection of Folkways Records founder, Moses Asch. On this release as on other recent ones, we have also begun to delve into some fine recordings from another source, the 43 years of recordings from the Smithsonian Folklife Festival (formerly Festival of American Folklife).

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This “back-to-the-roots” road-trip documentary CD/DVD from blues-rocking guitarist Kenny Wayne Shepherd can be viewed in two ways–it’s either the culmination of a long-held desire to promote and play with some unheralded blues veterans before they pass away (as six had already done since the recording was made, 2½ years before its early 2007 release) or a way to regain the blues audience Shepherd all but alienated on his artistically and commercially disappointing 2004 hard-rock release, The Place You’re In. Ultimately, it succeeds on both accounts. Regardless of the project’s inspiration, the results by and large justify whatever the means might have been to get this show on the road–literally and figuratively. Shepherd hit the highway for a week and a half along with producer Jerry Harrison (ex-Talking Heads), a portable studio, and backup musicians including the rhythm section from Stevie Ray Vaughan’s Double Trouble. He searched out blues artists both (more…)

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This 1965 album is where vocalist and harmonica player Junior Wells comes into his own. An early collaboration with Buddy Guy, the two of them sum up the 1960s funk-rock-blues that lay ahead. Hoodoo Man Blues inspired Paul Butterfield, Eric Clapton, and a host of other musician-fans. Wells and Guy don’t shy from creating James Brown-funkified blues, or from putting a rock edge to their blues; but neither do they shy from traditional blues. Their version of “Good Morning Little School Girl” is a proper update–still menacing, with less of a country blues feel. Also not to be missed is the instrumental workout “Chitlin Con Carne.” –Robert Gordon

Hoodoo Man Blues is not only Junior Well’s initial LP appearance, it is damn near the first LP by a Chicago blues band. Chess and a few other labels had issued 45′s by Muddy Waters, Sonny Boy Williamson, Howling Wolf, Jimmy Reed, Elmore James, etc. but virtually no one had t (more…)

Guitar Licks of the Texas Blues-Rock Heroes details the solo styles of the legendary Lone Star State guitarists. Complete with essential stylistic details that make the music come alive, this volume contains 100 licks in the authentic styles of Stevie Ray Vaughan, Billy Gibbons, Johnny Winter, T-Bone Walker, LightninÂ? Hopkins, Freddie King, Jimmie Vaughan, Eric Johnson, and more. Each lick has its own mini-lesson and is performed by the author at half and full tempo on the accompanying CD.

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Here?s a video lesson for players who know the basic chords and want to get started playing blues on the electric guitar. Jim Weider takes it from the top, and shows the easy way to get into playing authentic licks, riffs, rhythms and hot solos. You’ll learn how to use slides, string bends, hammer-ons and a variety of vibrato styles for an authentic blues feel, along with rhythm grooves, bass lines and other accompaniment techniques. Learning the pentatonic (5 note) blues scale is the key to blues improvisation, and Jim teaches you how to find the notes you’ll need in different positions up and down the guitar fretboard. Before long you’ll be playing leads and soloing with the best of them. Jim teaches the elements of this powerful American style through the classic licks and solos of some of its key players. You’ll learn, in detail, how to play tunes such as Albert King’s “Going Down,” Elmore James’ “Elmo’s Blues,” Freddie King’s “Hideaway” and Jim’s own “Sugar Can (more…)

In this essential collection for blues harp players, author Tom Ball sets out to discuss, understand and demystify some of the playing of the phenomenal Walters: the legendary “Big Walter” Horton and “Little Walter” Jacobs. Includes a sampling of the best licks from each artist’s repertoire, mapped out in easy-to-read harmonica tablature and played on CD by Ball, plus extensive notes on each musician’s style, bios and discographies, rare photos, a bibliography, harmonica basics, notes on amplification and equipment, and much more!

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