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www.nextlevelguitar.com Click thelink above to receive free exclusive videos, newsletters, and lots more free guitar and music goodies from Next Level Guitar. In this video we teach some blues licks from a different pentatonic box position than the most common basic box shape. Many more full on video lessons at the full on video instructional website at: www.nextlevelguitar.com

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www.nextlevelguitar.com Click on and follow the above link to get two FREE Jam Tracks and coinciding written lesson all for free fromNext Level Guitar.com In this video guitar lesson series we call blues lick of the week we teach a cool little blues phrase using the blue note and a passing tone and we also discuss applying it and palying over the jam tracks and how to get two free jam tracks that coincide with this lesson. Many more full on video lessons as well as a FREE 3-day all access site pass at the full on video instructional website at: www.nextlevelguitar.com

www.nextlevelguitar.com Click the above link to check out our 4 DVD set “Beginner Blues Rock Soloing” – it has over 8 hours of video lessons, jam tracks, and a coinciding written lesson booklet. In this lesson we teach you how to combine minor pentatonic scale boxes into long shapes to play laterally across the neck and not get stuck in the “box” Many more lessons on the full on video instructional website at: www.nextlevelguitar.com

Pentatonic blues in a major scale is important even though it is not dominat. However, in the formation of solo or melody almost all musicians use this scale because it gives a different nuance. On blues music it’s often used as the major-minor blues or sometimes just major blues.

Pentatonic major scale bearer appear on many modern blues, jazz blues such as the legendary B.B. King and George Benson have cool that integrate with the major pentatonic 6th tone (usually written as the 6th chord). I often call this as the melody or 6 tone dominanth 7 as I used as the 7th melody. Design is only for convenience that the solo / melody we play nuanced tone to 6 (la). Or if A gets additional chord tone 6 will be the A6. If we listen to solo’s B.B. King is beautiful, then we must take good with the major pentatonic. To have a feel of the lick appear between 7 chord tone, such as A7, D7 and E7 and diselingi with 6 chord. Following example emphasizes the major pentatonic solo or with a thick tone to 6 nuance.

Sample:

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Pentatonic minor in blues often called the pentatonic blues. The order was almost the same tone with a blues scale minor pentatonic in this tone blue note (tone blues) removed.

In addition to the theory that in fact this is a blue note flat noodles and flat sole. Flat means’ one tone before ‘or flat noodles / b3 together with the flat sole and ri / Fi is B5. This means also that the minor pentatonic plus b3 (flat noodles) and B5 (flat sole) is a blues scale. Try to compare between the minor pentatonic and blues scale E that clear differences.

If there are minor blues song like many songs from Gary Moore’s tone and the pattern is very useful pentatonic minor jaming time. The following chart is just a few examples of minor pentatonic scale.